Tuesday, January 07, 2003

posted 12:12 PM
Someone posts to complain of the wealth of grammatical errors in my fiction… I would have to say that some are errata, some are nonstandard grammatical choices on the part of a character (and these can be part of the text, as interior monologue or an aspect of “POV”) and the rest are, for the most part, conscious and deliberate stylistic choices involving nonstandard usage.
I suppose the idea that a writer would deliberately choose to “break the rules” would puzzle some people, and annoy others, though it’s a bit of a stretch for me to imagine what it would feel like to be in that particular relationship to prose fiction.
There may well be people who abandon Neuromancer on the grounds that it’s riddled with sentence-fragments, but, in a sense, the sentence-fragments are there to scare off readers who aren’t ready for that, and to encourage those who want to see the envelope of language pushed even further, the pedal taken even closer to the metal… I do know how to write formal standard English without making a great many mistakes. But a character like Rydell doesn’t think in formal standard English, so when I’m interfacing with the narrative through the lens of that character, you don’t get formal standard English. Though that shouldn’t lead you to assume that the more general narrative voice of a given book is “me”. If I’m doing my job, it never is.
But this brings up a much more important point, re those advance reading copies (ARCs) of Pattern Recognition that have been popping up on eBay for the last little while.
Those are “uncorrected proof copies”, which means that they are (1) absolutely riddled with errata, and (2) in the case of this book, to some extent a variant text. There is, in particular, a completely annoying failure on the typesetter’s part to keep the email sections in the font allotted to email. This has (I hope) been thoroughly corrected in the actual book, though too late to impress any of the reviewers who had to struggle through the ARC. Why does this happen? Well, novels, these days, have to be scheduled long in advance, as to production and date of initial sale, and you could say that it all springs from that. Publishing today encourages a certain lamentable “hurry up and wait” factor. The ARC’s were gotten out before I would have wanted them to, before I’d had sufficient time to “sit with” the manuscript, and then I was able to make another pass (actually two more) taking whatever time I needed. I won’t go into the changes, else I enter spoiler territory, but you can take my word for it that the ARC is not at all the finished text.
Actually I had hoped to have the final corrected galley sheets independently proofread by my friend John Berry, but, to my disappointment, scheduling did not allow. One day I will manage to do that, and then there will be no errata, and no non-deliberate grammatical errors whatever, but he won’t mess with my sentence fragments at all.

top